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RICHARD VIALATTE

3D PAINTINGS

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Richard Vialatte

Seeking gallery for innovative art


After studying arts and obtaining a Master's degree in Fine Arts, I spent quite ​some time traveling before settling in Guadeloupe about fifteen years ago. ​There, I founded my painting studio and currently make a living teaching art ​classes. For the past 6 years, I have actively resumed my research on ​stereoscopy, aiming to achieve true artistic coherence before unveiling my ​approach. Following several exhibitions that allowed me to gauge the impact of ​my work on the public, I now believe that my artistic development is advanced ​enough to find the gallery and support needed to make myself known and ​continue to innovate.

Anaglyphes sur toiles

In few words...

My work stems from an exploration into creating a stereoscopic effect in painting through the ​systematic creation of anaglyphs on canvases.

While the initial goal was to evoke a sense of depth, the concept evolved over time to primarily ​offer a distinctive aesthetic appeal visible to the naked eye. Hence, there's no need for any ​specific device to appreciate the canvases. The stereoscopic effect, though intriguing, remains ​supplementary. When wearing glasses, however, the painting transforms: the reds and blues ​disappear, elements of the image seem to detach, move away, or even emerge from the ​surface...

Created mainly using flat colors, repositionable tape, and industrial paint, my works evoke a ​smooth and detached finish, reminiscent of a dystopian digital future or virtual reality—an AI's ​nostalgic reverie.



Vidéo: "Vernissage"

COLLECTION

iNSURRECTIONS

Aesthetic sketches in red and blue of ​revolt, from the Arab Spring to the Yel​low Vests

Spatialitie​s

Abstract geometric explorations, ​anaglyphic investigations of space and ​color.

covid

Testimony of a period with an ​apocalyptic scenario, a strange time ​suspended in the midst of emptiness.

daydream​s

Canvases adrift in the land of dreams. ​Introspective journeys of 3D paintings, ​with a strangely digital ambiance.



d​igital

.Lines of code and spatio-temporal collisio​ns, icy distance of virtual worlds, dreams o​f artificial intelligences.



iNSURRECTIONS

Aesthetic sketches in red and blue of ​revolt, from the Arab Spring to the ​Yellow Vests.

"Joli printemps"

(120/100)

2018

"Révolutions"

(120/100)

2018

"Nouvelles du Caire"

(120/100)

2018

"Molotoff"

(180/120)

2018

"Épaves"

(175/105)

2018

"La danse"

(150/105)

2018

"Douce France"

(175/85)

2019

"Daech 5.0"

(130/85)

2019

"Player"

(90/65)

2021

"Les chiens"

(100/75)

2019

"Revolts"

(195/120)

2019

"Insurrections"

(150/105)

2019

"Templier"

2020

(120/81)

Spatialités

Abstract geometric explorations, an​aglyphic investigations of spaces an​d colors.

2020

"Abstracts 1 and 2"

(2 formats 40/40)

"Abstracts 3 and 4"

2020

(2 formats 40/40)

2020

"Cinématicks 1 and 2"

(2 formats 60/42)

2020

"Cinématicks 3 and 4"

(2 formats 60/42)

"Icônes 1 and 2"

2020

(2 formats 60/42)

"Monolithes"

2020

(113/81)

"Le grand L"

2020

(95/85)

"Stratégie du E"

2020

(110/85)

"Brut de F"

2020

(110/85)

"Plateformes"

2020

(120/100)

"Dernière séance"

2020

(95/75)

covid

Testimony of a period with an ​apocalyptic scenario, a strange time as if ​suspended in the middle of emptiness.

"Madone C19"

2020

(98/77)

"Comptoir central"

(98/77)

2020

"Covid city 1"

2020

(101/75)

"Covid city 2"

2020

(101/71)

"Co-vide"

2020

(96/75)

"Bénédicta"

2020

(76/62)

"Opus covid"

2020

(76/62)